CONTINUITY OF NATIONAL COGNITION AND POSTMODERN DISCOURSE (BASED ON A. KEMELBAEVA'S STORY "THE CLAW")

Abstract

The research article examines the direction of postmodernism, which was formed in Kazakh prose after independence. The purpose of the article is to analyze the work of A. Kemelbaeva within the framework of postmodernism discourse and identify innovations in Kazakh prose. The scientific and practical significance of the research article is connected with the development of postmodernism in Kazakh literature. The study of small prose genres in modern Kazakh literature from the point of view of intertextuality will increase the practicality of the work. The methodology of the research is related to the interpretation of the images of the author's transformation, playing with the reader, intertextuality, simulacrum in Kazakh prose. "The Claw" by A. Kemelbaeva, "The Treasure of the Architect" by T.Asemkulov were analyzed by the hermenetative method and the features of the works were revealed. The study was based on the opinions of V. S. Malakhov in the work of T.Prokhorova, the views of V. Kuritsyn, V. Rudnev, A. Kodar, S. Kaskabasov, Zh. Zharylgapov on postmodernism. The opinions of O. Bychkova and G. Saulembek were considered about the simulacrum. Novelty in Kazakh prose was determined on the basis of G.Orda's research, and universal values were analyzed on the basis of N. Khudaibergenov's research. With the help of the hermeneutic method in A. Kemelbaeva's story "The Claw", the means of postmodernism, such as intertextuality, play with the reader, were revealed. At the same time, elements of a detective character and intellectual dialogue are revealed in the work. The main value of the research article is associated with the definition of the activity of the direction of postmodernism in Kazakh literature in the image of the character of society. The image of the simulacrum, the phenomenon of simulation is analyzed, its main function in prose is determined. The work comprehensively analyzes that the main function of the image of the simulacrum is to expose the shortcomings of society. In the study, postmodern innovations bring Kazakh prose to a new level through changes in the poetics of prose, artistic and aesthetic values, creative freedom, author's credo, author's position, as well as the formation of new means and methods of writing among the authors. Based on this, Kazakh writers of the XXI century become the object of deep study on the basis of mythical knowledge, mythical consciousness in postmodern literature. Aesthetic systems of reality, ideological and aesthetic values in postmodern texts are determined on the basis of A. Kemelbaeva's work "The Claw".