FORENSIC STYLE AND TERMS IN THE DETECTIVE GENRE

Abstract

The study is devoted to the analysis of the forensic style in the detective genre from a linguistic point of view, with a main focus on the work of Kemel Tokayev, who initially acted as the author of detective works in the Kazakh language, including the works “Tunde atylgan ok”, “Sarbaganda bolgan oqiga”, “Taskyn”, “Komeski iz”.

The purpose of the study is to analyze the forensic style in works of the detective genre using linguistic methods, features of the use of terms and their pragmatic function in the texts of Kemel Tokaev.

This study is important both for linguistic theory and for practical application in the analysis and understanding of the structure and content of detective works, especially in the context of Kazakh literature.

The methodology includes text analysis of Kemel Tokayev's works using linguistic tools such as content analysis, semantic analysis and stylistic principles. Particular attention is paid to the use of forensic terms and their role in creating the atmosphere of a detective work.

The results of the study make it possible to identify the features of the forensic style in the works of Kemel Tokayev, as well as to determine the specifics of the use of detective terms in the Kazakh language. The analysis highlights the importance of these elements in creating an atmosphere of tension and realism in a detective text.

The study makes a significant contribution to the linguistic understanding of the forensic style in the detective genre, and also expands our understanding of the specifics of the use of terms in texts in the Kazakh language.

The results of the analysis can be useful to researchers of literature, cinema and cultural studies, as well as for understanding the mechanisms of constructing detective works as an individual style and genre.