THE CONCEPT OF FREEDOM IN THE DYSTOPIAN WORKS BY D. GLUKHOVSKY METRO AND THE POST

Abstract

The article analyzes the concept of "freedom" in the works of the dystopian genre by the Russian author D. Glukhovsky. The author explores how writers use this literary genre to highlight the issues of modern society and identify potential threats to freedom and individual rights through various dystopian texts. The purpose of this work is to examine the concept of freedom in D. Glukhovsky's novels "Metro" and "Post", as the theme of freedom is a central theme in dystopian literature. The focus of the research is on analyzing the concept of freedom within the author's works. The significance of this study lies in its relevance to Russian dystopian literature, which is becoming increasingly relevant against the backdrop of current events in Russia. This article employs comparative-historical and linguistic analysis methods to explore the concept of freedom. The main findings of the study emphasize the significance of examining the concept of "freedom" in dystopian literature, as it is freedom and the right to self-determination that are crucial in society. When a person is deprived of their ability to make decisions, they lose their sense of identity. The current situation in Russia and human rights are also a significant focus for D. Glukhovsky. The value of this research lies in its relevance at a time when it is crucial to analyze Glukhovsky's works, as the author has been labeled a foreign agent by the Russian government. The practical implications of this study are limited to its potential use as a resource for further research. In dystopian narratives, the concept of freedom stands in opposition to totalitarianism, encompassing freedom of speech, action, choice, movement, expression, and, most significantly, thought. Drawing on the works of classic dystopian authors, Glukhovsky emphasizes the importance of individual freedom under an oppressive regime.