FRAME APPLICATIONS OF THE CONCEPT «LIFE» IN FOLK SONGS

Abstract

At present, despite the existence of a monograph on the history of folk song, research in the field of linguistics regarding the cognitive system of the folklore genre has not been conducted. This problem poses a big challenge for linguists. Because the worldview, existence, history, life of the Kazakh people are reflected in the language of folk songs. Having determined the nature of folk songs and having studied the linguo-folkloristic aspect, we strive to contribute to such new areas of linguistics as Cognitive Linguistics, Ethnolinguistics, Lingoculturology. The main object of study of the article is folk songs. The article reveals the genre of Kazakh folklore - the essence and structure of folk songs, the features of the genre. The article outlines the theoretical foundations of the genre specifics of Kazakh folklore - the nature and structure of folk songs. In the course of summarizing theoretical information about the specifics of folk songs, the classification of Akseleu Seydimbek was taken as a basis. The importance of studying the language of folklore, that is, from the point of view of the national cognitive nature of folk songs, was considered. One of the main tasks that was carried out in practical terms was to conduct a conceptual analysis of folk songs. In the course of the conceptual analysis, frame applications of the concept of life were studied. The associations and concepts that reveal the content of each frame are generalized. In conclusion, through the reflection of the concept of life in folk songs, considered in the linguistic picture of the world as a whole, the social and social features of the folklore language were revealed. Frames reflecting the national mentality and national identity of the Kazakh people are analyzed. The conceptual analysis is described within the framework of the modern anthropological paradigm, in modern continuity. The content and meaning of folk songs are researched, which are the source of self-identification of the people and reveal historical facts. The conceptual analysis is based on the artistic features and poetics of folk songs. Comparison of folk songs in modern sequence determines the purpose of the study.